BASIC MINOAN PRINCIPLES

MINOAN DECORATION
(The feelings it can bring to us)

MINOANS & MYCENAEANS
(The mixture of two civilizations)

MINOAN OCTOPUS


MINOAN DECORATION
(The feelings it can bring to us)

by Vas. Politakis
 

 

MOVEMENT

Movement in Minoan decoration, brings activation to our brains.

Because of the harmony of Minoan curves and the earthen colorings,
this energy leads us to the harmonious feeling of release.

EMPHASIS

The emphasis of covering the whole surface of a ceramic with one subject,
and not using zones of different decoration - as it was done in later periods - gives a very clear feeling.
Clearness is something we need,
for sure, in a complicated world.

RELAXATION

Floating motives on the surface of Minoan ceramics,
give the impression of the harmonious movement in water,
which is totally relaxing.

ENERGY OF LIFE

Very often we see the gathering of many living creatures,
on the surface of Minoan ceramics. Seeing so much life gathered together,
gives us an energetic feeling.
The plasticity of the forms and the right placing of decoration,
finally, bring to us a harmonious atmosphere.

FREEDOM OF IMAGINATION

Abstract paintings set our imagination free .
The earthern pale colorings,
of Minoan decoration make us think
of something that has to do with nature.
Since nature gives the most relaxing feelings ,we are led to relaxation.

SIMPLICITY

Simplicity,
coming out of designs which present a subject in the simplest way, using the least possible lines offers relaxation and helps us understand the deeper meaning of life.

 

Research in Progress
At the Department of Psychology, University of Crete and at the Brain & Psyche Electrophysiology Research Laboratory, Athens, Greece, the following projects are in progress:

I. Visual stimuli selected from typical themes from Minoan Art and visual stimuli designed to possess the opposite characteristics will be presented to Psychology students who will be asked to rate the stimuli on a variety of psychometric scales assessing:
a) Clarity vs. ambiguity of design;
b) Earthy vs. artificial colors;
c) Presence vs. absence of movement;
d) Comprehensible vs. unrecognizable themes;
e) Familiar vs. unknown objects;

Moreover, all of the above visual stimuli will be rated by the same students on a variety of psychometric scales assessing:
1) Tranquility vs. anxiety;
2) Euphoria vs. dysthymia (the opposite of euphoria);
3) Comfort vs. discomfort;
4) Well-being vs. feeling not-well.

II. All of the above visual stimuli will be presented to the same students at the Electrophysiology Laboratory and their Evoked Potentials will be recorded from a variety of electrode locations on the scalp. Thus the electrical activity (brain waves) of a variety of brain structures in response to the above stimuli will be studied.
The working hypothesis is that certain visual stimuli which are rated in the psychometric tests to have psychotropic properties will have equivalent effects on brain activity. This will be the ultimate test that Minoan Art is beneficial to the human psyche.

Psychological and Neuroscientific perspective:
Joannis N. Nestoros, M.D., Ph.D.(Neurophysiology, McGill University),
F.R.C.P.(C ),
Psychiatrist & Psychotherapist, Professor of Clinical Psychology,
Department of Psychology, University of Crete, Rethymno, Greece.
E-mail: nestoros@psy.soc.uoc.gr

*Themes of Minoan art are provided by Vassilis Politakis


 
 
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